Judy Jay's Time Dances By jjay@timedancesby.com
	Phone: 210-690-8454
	--Last Updated: 11/09/2009 --

Item:	Description:	Price:
MJ067	GRAND AND GLORIOUS PLUMES ( Victorian Mourning Jewelry Brooch ): Grand in size, glorious in execution, this Victorian revolving (or swivel) brooch is simply stunning. (c. 1865-1880) Extremely desirable to collectors, this example of palette-work “Prince of Wales” feathers on milk glass is perfection. The 2 large plums are ash blonde and soft brown in color. The elaborate 10 KT setting features delicate engraving. The quality of this setting indicates that it was a piece made for a wealthy client. Both the original C clasp and elongated pin stem are still in place, as well as a tiny ring at the top where a safety chain could be added. When you revolve the central hair plaque you can see the black fiber background under a celluloid cover. At one time it probably held a photo of a loved one. Magnificent in size, the beauty and harmony of this mourning brooch declares that you are a serious, knowledgeable collector of fine Victorian jewelry. Condition: Excellent. It carries 150 years of loving history with it. There is a single loose hair, but it does not diminish the value or beauty of this piece. Size: 3” high, 2 1/2” wide, 1/2” deep.	SOLD!
MJ095	BUCKLE & GARTER KEEPSAKE ( Victorian Mourning Jewelry Brooch / Pin ): I have never seen this rare and unusual Victorian Mourning Brooch design before. Set in 15-18KT yellow gold, this mourning brooch uses the buckle and garter motif – generally reserved for royalty during Queen Victoria’s reign. Made in England, it may well be a custom made brooch. (c. 1870) The entire circle is filled with immaculate, tightly woven brown hair – as is the drape. The pearls (symbolic of tears) in this majestic pin are all natural pearls in various sizes. The pin back fastens with a C clasp. (There is a mark on the back reading “816” that is unknown to me.) The simplicity of the design and the beauty of the pearls set against the high carat gold color is in many ways a relief from the excessive ornamentation so beloved by the Victorians. The condition and rarity of this Antique Mourning Brooch design make it a highly desirable addition to any sophisticated collector. Truly a beautiful and scarce keepsake that belongs in a collection of Mourning rarities. Condition: Excellent. One tiny pearl has lost a bit of its iridescent nacre. Not visible to the naked eye. Size: Garter circle is 1 1/4” in diameter, hair ring is 1/4” wide, lower pearl drop is 7/8” long, 1/4” deep at bottom.	SOLD!
MJ089	MEMORIES IN MOTHER-OF-PEARL ( Victorian Mourning Jewelry Brooch ): I am delighted to pass on to you this captivating Victorian Mourning Brooch from my personal collection. What can I add to the splendid photos of this incredibly exquisite piece of memorial jewelry? (c. 1860-80) The background is Mother-of-Pearl and shimmers and glints in pink and green as it is moved (impossible to capture in photos). The palette-work hair displays a border of light brown leaves encircling the most breathtaking initials delicately rendered in black hair. Be sure to notice the tiny black dots that surround the initials. Each “dot” is made from the black hair. (I am not certain what the initials are – possibly “JGB” – the “B” in the middle is generally the last name.) The combination of black and light brown hair against the M-O-P is striking and elegant. There is an almost lacy appearance to the hair work. The beaded 14KT gold frame is a luscious red gold. This color is achieved by adding a touch of copper to the gold. The C clasp pin back is original. This brooch is a masterpiece of skilled work and superb in every respect. Condition: Excellent. Size: 1 5/8” high, 1 3/8” wide.	SOLD!
CA094	TO THY CROSS I CLING ( Victorian Mourning Jewelry Cameo Brooch / Pin Pendant ): The subject of this touchingly sentimental hand carved shell Cameo is an “Allegory of Death”. (c. 1850-1880) A grieving woman is portrayed, head bowed with grief, with a cross in her hands as she prays for her departed loved one. The skull at her side is a timely reminder that death is always with us. The depicting of death and grief was a popular theme during the Victorian era. This design harkens back to the old hymn, “Simply to Thy Cross I Cling.” This Cameo carving is bezel set in a frame marked “14KT”, with a C clasp closure that includes an early safety lock and a swivel pendant bale. (Setting is probably c. 1900.) This is a rare, expression of a “Memento Mori”, the timely reminder that “we all must die”. I believe it is signed on the back with either the initials “PM” or “DM”. Mourning collectors covet this Cameo subject and they have become quite scarce. Condition: Very good. Frame is slightly irregular on the left side, probably made to fit the shell edge. There are some striations from a natural drying of the shell, but they are not visible to the naked eye – only in enlargements. Size: 1 ¾” high, 1 ¼” wide, approximately ¼” deep.	SOLD!
MJ084	CRESCENT MOONS ( Victorian Mourning Jewelry Hair Earrings ): A photo is better than words in the case of these captivating Victorian 9 KT gold and hair dangle earrings. (c.1850-80) Three elongated tubular table hair dangles are suspended from a crescent moon inlayed with dark brown hair under gold wire twists. There is an engraved design at the tip of each crescent moon. The 3 tubular hair dangles have gold caps at both the top and bottom. The crescent shape hangs from an architectural revival gold circle within a circle decorated with tiny beading around each circle. The shepard’s hook ear wires with clasps are early replacements. These earrings are almost identical to a pair pictured on Page 147 of “The Collector’s Encyclopedia of Hair Jewelry” by Jeanenne Bell. What a treat to have these “ear bobs” dance near your face with every movement. Move over Scarlett O’Hara and make room for the delicacy and refinement of these outstanding Antique Hair Earrings. Condition: Excellent. Firm with no fraying, dangles retain their original shape. Size: Total length, including ear wire, 2 1/4”, width 1”, depth 1/4”. Center tubular dangle 7/8”.	SOLD!
MJ065	THE WINGED SOUL DEPARTING ( Victorian Mourning Jewelry Watch Pendant ): This very special Victorian Mourning piece has been in my collection for years.  This beautifully executed, double sided pendant is made to resemble a “watch”, a death symbol dating back to the Middle Ages in Western Culture, denoting the brevity life. (c. 1870) The pendant is encased in beveled double sided celluloid covers, patented in 1868. Each side encloses elaborate varieties of palette work hair with sepia designs. This is the exact mourning piece pictured on Page 96 of Maureen DeLorme’s comprehensive book “Mourning Art and Jewelry”. The side that I refer to as the front is a 3 dimensional mother-of-pearl memorial with two tiny birds at the top – the one in the air represents the winged soul departing, while its mate remains behind to grieve. The milk glass background is hand tinted in delicate shades of sky blue and sunset pink. The reverse side of the pendant “watch” is elaborately designed in plumes and flowers. The 4 initials of the deceased are inscribed in a delicate script using sepia ink. The frame and “watch” top are gold stamped “14D” and there is a hallmark of an animal head. A matchless piece that belongs in a collection of Mourning rarities. Delicate and feminine, you can wear it without fear of damage. The ring at the top is large and will accommodate a chain or a neckwire. Condition: Excellent. One scratch on the front cover, not visible to the naked eye. A minute chip to the celluloid on the back edge (see photo of initials), not visible and only mentioned for accuracy. A word of warning – Do not try to open this locket. The delicate hair work could come loose. Size: 1 1/4” in diameter, 1/4” deep.	SOLD!
MJ055	FAMILY TREE ( Victorian Mourning Jewelry Locket & Link Collar ): It appears that the inside of this Antique Sterling Silver Locket represents a complete family tree of hair plumes. (c. 1880) This lovely locket & chain have both been jeweler tested as Sterling Silver. The shades of hair are beautifully worked complete with tiny pearls and gold wire coils. It may be a memento of a mother and her children. The front of the locket is fully engraved with ivy leaves and scroll work edging. Ivy was used as a symbol of immortality in marital love, fidelity and eternal life. The locket back is plain with a decorative border. It is paired with a collar (necklace) of pierced double row links that slide like silk around your neck. To put the collar on, you open the large spring ring at the center front and slide one end of the collar in. The locket can be worn alone by removing it from the large spring ring and adding a ribbon or neckwire to the silver bale. I would consider adding a back of neck closure myself. The inside retains its celluloid cover over the hair and a piece of black fabric on the other side. To discover an entire “family” of hair mementos is especially desirable to collectors. Condition: Excellent. Locket snaps closed tightly. No breaks in the links. Light wear – obviously by someone really wore and treasured this piece. You can feel the love. Celluloid cover has a scratch across it. Size: Locket and bale 2 3/8” high, 1 1/2” wide, 1/4” deep. Neck chain 17” long, 5/8” wide.	SOLD!
MJ087	TREE OF GOLDEN GLORY (Victorian Mourning Jewelry Hair Swivel Brooch / Pin): This is a unique, one-of-a-kind, Victorian Mourning Brooch from my personal collection. (Dated 1861) This exact brooch appears on Page 90 of Maureen DeLorme’s book “Mourning Art & Jewelry”, currently the best source for all things involved with Mourning customs. I quote her description here: “A palette-worked hair “tree” on a milk glass background. This brooch commemorates the death of “Francis S. Crichton” whose birth and death dates, inscribed as “Born 18th May 1840, Died 7th March 1861” appear underneath the beautifully executed hair-work tree. The workmanship on the inscription is similar to the fine engraving of a watch maker and it is possible that this brooch was inscribed by someone in this profession. The tested 14 KT gold brooch swivels and the reverse shows an early photograph of Francis in his well-dressed suit.” The black enamel mount has the words “IN MEMORY OF” and engraved ribbon-like motifs appear at all four compass points. The weeping tree and trunk are made completely of golden hair. The inscribed plaque at the base of the tree has an engraved Forget-Me-Not above the date information. The original C clasp has been replaced with a center closing safety clasp, the original ring for a safety chain remains. This Antique Mourning Brooch is unique in its entirety. The quality is so remarkable that the most sophisticated collector will recognize it as representing the essence of 19th Century. Condition: Excellent. The center closing safety clasp makes wearing it very easy. The swivel turns perfectly. Size: 2 3/8” high, 1 7/8” wide, 3/8” deep.	SOLD!
MJ082	HEART AFLAME WITH PASSION ( Victorian Mourning Jewelry Vulcanite Locket ): This Victorian Mourning Locket (c. 1870 - 1890) is molded of vulcanite, an early form of plastic patented in 1864 by Charles Goodyear (Yes, tires!) Vulcanite is light weight and a deep black that could be highly polished as a substitute for jet. The motif on this superb and complex locket is Faith (the Cross), Hope (the Anchor complete with chain) and Charity (the Heart). From my personal collection, this locket has as its centerpiece a bold flaming heart – symbolizing extreme religious fervor. The flaming heart makes this locket special! The molded motif is pegged or riveted to the front of the highly polished, hinged locket. Plain on its backside, when opened the entire surface of both inside compartments are elaborately decorated with stamped floral designs. The twin sets of rims and celluloid covers are intact and were meant to hold a portrait or a hairwork souvenir. The ring at the top is painted metal and the hinge is also made of metal. It closes firmly with a soft “click”. I recommend wearing the locket high because you can see the motif best and when you lean forward it will not swing and hit against anything. (Check page 37 of the Bell book "Answers to Questions About Old Jewelry" for a remarkably similar locket interior.) Originally suitable for mourning, black also became, and remains, “high fashion” jewelry. Don’t pass this locket up – it is stunning and dramatic. Condition: Excellent. One minute nibble on the anchor – not visible in life size. Slight loss of paint from ring. Size: 2”high, including ring, 1 ½” wide, 1” deep, including the top motif.	SOLD!
MJ073	DANCING HAIR LOOPS ( Victorian Mourning Jewelry Earrings ): These marvelous Victorian Hair Earrings (c. 1850) are highly desirable because you can actually wear them! The dark brown table-worked hair has been formed into loops that are coated with a fixative to keep the hair firm. They are very durable and should remain in perfect condition. (The loops are flexible, but not soft.) You can handle them easily and wear them as often as you like. The shepard’s hook ear wires are original. These light weight dangling “ear bobs” dance delightfully every time you move your head. Condition: Excellent. No damage or fraying. Size: Earrings hang 1 7/8” long. Hair loops are 1” wide.	SOLD!
MJ075	I HAVE A PIECE OF THEE ( Victorian Mourning Jewelry Ring ): From my personal collection – a 9/10KT rose gold ring unusual in its simplicity. It displays hair feathers and curls called “Prince of Wales” plumes and dates c. 1850-60. The hair is accented with gold wire twists and 3 tiny half pearls. With no distinct clues to mourning, it could also be a sentimental piece exchanged between friends or family members. If it is a mourning ring, it reminds me of a letter written in the mid-Victorian era that shares the feelings of Victorian women who received such tokens. “Dear Laura has given us each a ring of our Dorothea’s hair. I am so fond of it. We chose a ring – and I am glad for 3 reasons. First because always wearing it helps me to think of her; 2nd because a ring seems to be a bond of love; 3rd being round a circle reminds one how one’s love and communion with her may and will last forever.” These undamaged plumes of pale blond and red hair rest under a glass cover. The simple bezel setting acts as a frame for the dainty plume work. The ring shank narrows at the back and the inside of the ring is curved so that it could not be more comfortable. It is a ring size 8. A very pleasing and wearable ring, reminding us of a time when “I have a piece of thee” provided loving comfort. Condition: Excellent. Some light scratches on the glass – they are antique, too. There was once an inscription, but it is too worn to read. Size: Hair portion of ring face is 1 1/2” high, 7/8” wide. Ring shank narrows to 1/8” at back. Ring size 8.	SOLD!
MJ069	TOGETHER FOREVER ( Georgian Mourning Jewelry Painted Ivory Pendant / Picture ): This richly symbolic French Georgian Sentimental piece is filled with allusions of marital love. (c. 1822) Definitely a wedding piece which was “given in friendship” (Donnée par lámitié) to the couple at their wedding.  The scene is painted on ivory with sepia ink and embellished with hair. A light polychrome wash bathes the background with sky blue and pink. At the center a winged cherub holds a wreath over the two united hearts crowning their love. His other hand holds an arrow poised to pierce the lover’s hearts. The figure of the cherub is outlined in gold. The plinth itself is 3 dimensional with the cipher initials “LM” entwined on an ivory plaque announcing their love for all to see. Notice the two lovebirds on the right with a string connecting them together. The dimensional tree of life, trunk and leaves made of hair, bends gracefully over the scene as if to enfold the lovers. The ground is composed of hair and sepia - leaning against the tree there is a tablet that reads “Donnée par lámitié”. This charming miniature work of art is framed in gilt metal. The back is covered by a pink advertising paper and is hand dated 1822. I would wear this painting as a pendant by simply adding a bale to the existing ring. It can, of course, be hung as a portrait miniature. A touchingly romantic image of enduring appeal, this piece speaks to both your heart and eye. Condition: Excellent. Expected wear to gilt frame. There is a blurred word over the two hearts. No loose pieces. Size: 3” in diameter, 1/4” deep.	SOLD!
MJ072	SENTIMENTAL SYMBOLIC SERPENT ( Victorian Mourning Jewelry Snake Brooch ): The snake (or serpent) was a popular Victorian romantic image. This stunning and sensuous large table worked hair snake brooch (c. 1850-70) is made over a hard core to form all of the coils and loops involved in the body. Notice how the texture of the light brown woven hair resembles snake scales. The Sterling Silver head and tail are ornately engraved and embossed with life-like detailing and its eyes are set with tiny garnets. Fortunately, the snake still retains the little decorated silver heart drop in its mouth. This snake brooch, synonymous with Victorian passion, was probably a sentimental lover’s gift, rather than a mourning piece. Prince Albert designed Queen Victoria’s betrothal ring in the form of a snake with its tail in its mouth – symbolic of everlasting love. The snake also symbolized eternity, guardian spirit and wisdom. The pin-back retains its original C clasp and closes securely. The multiple textures and fine details of this large snake brooch exhibit a quality that is quite remarkable. This is a highly desirable collector’s trophy. Condition: Excellent. No hair damage at all. Size: 2” long, 1 1/4” high, almost 3/4” deep.	SOLD!
MJ060	HEAVEN REJOICES ( Georgian Jewelry Mourning Pendant & Portrait Miniature ): This is a splendid example of Georgian Mourning Jewelry at its finest. An expressive painted sepia and dissolved hair on ivory memorial pendant dating from 1785. The front painting depicts a tomb comprised of an urn, a pointed obelisk and the plinth that they rest upon. The plinth is inscribed “Affection Weeps, Heaven Rejoices”. At the right a prayerful woman in classical dress gazes sadly at the memorial. To the left a delicate tree with hanging branches enfolds the scene tenderly. The scene is full of the pathos and romanticism seen in 18th Century Antique Mourning Jewelry. The painting is extremely fine and detailed. The urn and base are enhanced by bead and wire twists in both yellow gold and rose gold. Three rows of tiny seed pearls boarder the top and bottom of the plinth. Both the plinth and obelisk of this outstanding piece are significantly elevated, giving it 3 dimensions. The entire rose gold marquise shaped pendant is edged in a design of royal blue and white enamel; white in this case symbolizing the loss of an elderly man and the blue indicating that this was a mourning piece belonging to a member of the aristocracy (English, I believe.) The reverse side holds an additional treasure, a polychrome colored miniature of a pensive beloved gentleman. What expressive eyes! The miniature is signed “Read” and dated “1785”. The rose gold frame bears a lightly etched museum acquisition number that reads “6401DD”. This memorial was evidently culled from a museum collection. Both sides of the pendant have convex rock crystal covers. This beautiful piece of mourning jewelry is so symbolic of a time when death and those departed were kept near to the heart. I have had this memorial pendant in my personal collection for over 20 years, its value enhance by having both the memorial scene and the dated portrait miniature. Condition: Excellent. A few very tiny invisible scratches to the rock crystal. Two tiny pearls have come loose at some point in its long history. I have added the bale to the pendant ring. Size: 2” high, 1 1/4” wide, 1/4” deep. Larger and more substantial than the average Georgian memorial.	SOLD!
MJ044	LOST IN TIME ( Georgian Mourning Jewelry Ring ): This is a splendid example of Georgian Mourning Jewelry at its finest. Dating from 1787, this memorial ring depicts an elaborately garlanded urn painted in sepia and dissolved hair on ivory. There is a delicate weeping willow above the urn, its branches falling around the monument. The image is extremely crisp, clear and vivid, still retaining its timeless message. The painted miniature is covered with rock crystal and set in a simple 14/15 carat gold bezel. The tapered sides of the shank are delicately engraved. The inscription on the reverse reads: “Ann Piper, Ob 7 Jan: 9(?), 1787, at 33”. A touching token of sentiment that was probably worn by her mother or sister in her remembrance. A beautiful ring and evocative relic of lives long past. Ring is a size 4 3/4. A wonderful pinky ring. Condition: Excellent. Some fine surface scratches seen only under magnification. Size: 1 1/4” high, 3/4” wide.	SOLD!
	(( Previous | 1 | 2 | 3 | Next ))

| Back To Home Page |

| Place An Order |

Victorian Mourning Jewelry Victorian Mourning Jewelry Victorian Mourning Jewelry Victorian Mourning Jewelry Victorian Mourning Jewelry Victorian Mourning Jewelry Victorian Mourning Jewelry Victorian Mourning Jewelry Victorian Mourning Jewelry Victorian Mourning Jewelry Victorian Mourning Jewelry Victorian Mourning Jewelry Victorian Mourning Jewelry Victorian Mourning Jewelry Victorian Mourning Jewelry Victorian Mourning Jewelry