| Item: |
Description: |
Price: |

NA151 |
MERGER
OF THE BEAR & PARROT CLANS ( Vintage Native American Hopi Indian Jewelry
Chalmers Day Pin / Pendant ): I admit that I am an addicted to the
work of multi-award winning Hopi artist Chalmers Day. This exquisite
Sterling Silver pin/pendant is the first piece of his work that I ever
purchased. (c. 1986) Chalmers Day jewelry takes one on a journey into
the spiritual world of the Hopi. He is recognized as one of the greatest
overlay jewelers in history. (See “American Indian Jewelry I – 1200
Artist Biographies”, page 133.) I was so taken by the unusual shape of
this large pin/pendant and the way you can see all of the tiny darkened
texture marks in the underlay. In this remarkable piece he named “Merger
of the Bear & Parrot Clans”, you can see the giant bear claw at the top
reaching down toward the parrot claw curled at the bottom. Projected to
the right the little bear straddles two worlds. Earth and sky symbols
are interwoven at the center. (Chalmers is a member of the parrot clan.)
The silver is done in a matte finish. There is a safety clasp pin back
and a good sized hook to use as a pendant. The back is hallmarked with
his cloud symbol and the word “Sterling”. I used to stand in line at
6:00 AM at the Santa Fe Indian Market to be able to purchase one of the
seven or eight pieces he had made. In a few hours he was done selling,
gathered up his award ribbons and was gone.
Condition: Excellent. From my personal collection the back retains all
of the original information. Chain is not included.
Size: Large. 3 1/2" high, 1 3/4" wide, just over 1/4" deep. |
$400.00 |

NA155 |
SPIRIT
LIZARD ( Vintage Native American Zuni Indian Jewelry Pin / Pendant ):
I was surprised to see that I had never sold a lizard piece before. I
love them and it’s hard to part with this one. (c. 1990) This Zuni
Pin/Pendant Lizard honors the Native American belief that all animals
have spirits and they respect and revere even spiders, frogs and, of
course, lizards. The multi-stone inlay curving down the back of the
lizard consists of coral, jet, turquoise and mother-of-pearl. One of the
things that drew me to this fine fellow is the fact that he stands upon
his feet – only his toes touch the ground. The bends in his legs are a
life-like touch. There is a safety clasp pin back and a nice sized ring
at his neck to turn him into a pendant by adding a chain of your choice.
I wore him on my shoulder where he perched nicely or sometimes I put him
on the back shoulder of my jacket so that he appeared to be climbing up
to my shoulder. I could always hear the whispers “Look – that lady has a
lizard on her back!” Jewelry is designed to have fun with – try pining
him partway inside your pocket so that he appears to be climbing out.
The hallmark on the back is stamped “AP” and “Sterling”. There are many
artists using the initials “AP”, but this could be a piece by the Zuni
silversmith Alvin Paquin. Let this animal spirit bring some blessings
and fun into you life. He is good sized and you will smile when ever you
look at him. Oh! Yes, I have house trained him!
Condition: Excellent. The chain is not included.
Size: 3 1/4" long, 1 3/4" wide, 1/2" deep because the body is lifted off
of the feet. |
$200.00 |

NA152 |
PURPLE &
SILVER “SHOULDER DUSTER” EARRINGS: ( Native American Santo Domingo
Indian Jewelry Beaded Earrings ): These dazzling pierced earrings
are plucked from my personal collection of beaded beauties. Call them
“shoulder dusters” or long and grand, the iridescent purple, green,
white and pearl seed beads shimmer and glitter with life. The unusual
shape of the “closed horseshoe” (or tear drop) top portion is an
inspired and fresh take on beaded earrings – while below long tubular
beads of silver glass, ending with oval silver beads, whisper as they
brush your shoulders. Topped by silver pierced ear wires, these eye
dazzlers light up the room and make you the center of attention. For the
bold, confident woman who likes all eyes on her!
Condition: Excellent. Much prettier than photos. The iridescence is
difficult to capture.
Size: Total from center of ear wire – 5” long, 1 1/4" at widest point. |
$80.00 |

NA154 |
THE HOPI
WAY ( Vintage Native American Hopi Indian Jewelry Bracelet ): Hopi
Inlay Jewelry is characterized by self-containment and internal harmony.
This sleek and sophisticated Vintage Sterling Silver Hopi Bracelet (c.
1980) is a perfect example of harmony. Symbols relate to each other and
borders circumscribe the whole, suggesting the order and serenity of the
Hopi people whose name for themselves means “people of peace”. The
overlay technique was developed by the Hopi in early 1940 to make their
silver work more distinct and to compete with the Navajo, Zuni & Santo
Domingo work. The bottom layer of silver that shows through the top
cutout is oxidized to make the design more prominent. Look closely for
the tiny Hopi texture marks – all done by hand – under the overlay
polished design. The surface of this bracelet is buffed and polished to
a satin matte finish. Superbly crafted and hallmarked by Benjamin
Mansfield (a stamp of an antelope), this bracelet also bears the
trademark Hopi Tewa face denoting the Hopi Arts and Crafts Guild,
guaranteeing that the piece is made of Sterling Silver. Regal and
elegant – black and silver is always in the best of taste. It feels like
satin on your wrist.
Condition: Excellent.
Size: Small to Medium sized bracelet. 1/2" high, 1/8” thick, measures 6
3/4” in circumference including the 1” opening. |
$175.00 |

NA153 |
SUNFACE
WITH SILVER WAR BONNET ( Vintage Native American Zuni Indian Jewelry
Ring ): This vintage Zuni Ring is an estate find probably purchased
in the ‘50’s. “A different take on the traditional Zuni Tewa (Hopi Sun
God), the central face is inlayed with turquoise, coral, jet and shell.
The face is bezel set in a claw mount that raises it above the rest of
the ring. Instead of feathers, the face is surrounded in a war bonnet
design made up of sterling silver wires and orbs. The arrangement gives
this ring a character of its own and looks great on your finger. (Your
own miniature warrior.) The ring is unmarked so the artist is unknown. A
simple narrow ring band, size 7 1/2, can be resized if you choose. To
make it smaller on your own, use a strip of Dr. Scholl’s moleskin. The
moleskin has an adhesive on the back which you can place in the center
back of the ring face to make it smaller and also prevent rings from
swiveling on your finger. A great ring for the collector who craves
vintage pieces at a low price.
Condition: Excellent. A few light scratches to the face, but not visible
to the naked eye.
Size: Ring size 7 1/2. 1” high, 1 /4” wide, 1/4” deep. |
$65.00 |

NA156 |
STYLISH RETRO ZUNI EAR CUFF ( Vintage Native American Zuni Indian Ear
Cuff Earring ): This single “ear cuff” was all the rage in the
1970’s when I purchased it. This is a quite elaborate example. A
Sterling Silver crescent moon is accented by four coral “feathers” and
has a drop consisting of three coral rounds ending in a tear drop of
coral. Hallmarked “Bill & Lou” & “Zuni” (Bill & Loucinda Laweka), this
cuff is meant to go on your right ear to hang correctly. You’re going to
ask “How do I wear that?” You put the cuff portion at the top of the
outside of your right ear, slide it down the groove and squeeze it
tighter when you find a spot that is comfortable. The higher you can
wear it the better the dangle will hang. In this era of piercing body
parts this is just the thing for the adventuresome teenager or one of
your “artsy” friends and it comes off. I wore it in my youth – I am now
“retro” without the cuff!
Condition: Excellent.
Size: Hangs 2 1/4", 1/2" wide. If you are interested, I have a few more
of these cuffs in silver. |
$15.00 |

NA150 |
CLARENCE
LEE STORYTELLER BRACELET (Native American Navajo Indian Cuff Bracelet):
If you know much about Navajo jewelry, you will recognize this
Storyteller Bracelet as the work of esteemed Navajo silversmith,
Clarence Lee. I purchased this bracelet from him at the Heard Museum
Guild Indian Fair & Market in Phoenix. (c. 1997) Lee is an artist who
carefully records scenes from Navajo life – both past and present. The
copper work at the top of the bracelet depicts the spectacular Monument
Valley landscape. Floating in the cloud filled sky is a 14KT moon and a
turquoise, coral, jet and mother-of-pearl sunface (Tewa) also set in
14KT gold. With precise attention to detail he celebrates the nostalgic
and bucolic life of the Navajo. His trademark pickup truck filled with
wood sits behind a man with an axe. A six-sided traditional Hogan has a
copper fireplace and you can see the smoke coming out of the chimney – a
little dog stands outside, next to a drying rack for hides. Inside the
kitchen Lee has pictured his grandmother putting coffee on the stove;
outside stands a water barrel. Another Navajo woman, along with her
saddled horse and dog, holds a stick as she herds sheep and goats. These
enduring aspects of Navajo life are rendered with a touch of whimsy. Lee
is adept at all forms of casting and makes his own dies and stamps. Both
the top and bottom rims of this bracelet are covered with stamp work. He
uses a technique of appliqué, not overlay, in which each piece is cut
out from silver, gold or copper and then soldered individually onto the
base. This method is necessary because each of the metal has a different
melting point. The multidimensional quality of this bracelet is
astonishing! Clarence Lee has won every award around and has a copyright
on these storyteller bracelets and concho belts. This is a thick
bracelet with hallmarks that read “© Clarence Lee”, Sterling & 14K”
along with his stamped rocking “LE”. The best of the best. An
extraordinary work of art!
Condition: Excellent.
Size: 1 3/4" high, 1/4" deep with raised figures, 7 1/8” around
including 1 1/4" opening at back. Because of its thickness this
magnificent bracelet is best for a small wrist. |
SOLD! |

NA146 |
SHADOWS OF THE DESERT ( Native American Santo Domingo Indian Heishi
Bead Necklace ): This striking Santo Domingo 7 Strand Necklace is
made from Heishi beads rolled to perfection. The beads are olive shell
heishi, clam shell heishi, pipestone and turquoise. (No seed beads used
here.) Arranged in a traditional pattern of rows of alternating colors,
the closure is a squaw wrap of beige thread. This is a necklace that you
slip over your head and off you go! A handsome design and an array of
colors you will see as the shadows of night begin to creep over the
desert land. Wonderful for all seasons!
Condition: Excellent.
Size: 28” long, including wrap closure. Each of the color patterns is 2”
long. |
$85.00 |

NA149 |
LAPIS &
CORAL NAVAJO RUG PATTERN ( Native American Navajo Indian Cuff Bracelet
): This Navajo Cuff bracelet is designed by Richard Begay “a master
of mosaic inlay”. I purchased it at the Heard Museum Guild Indian Fair &
Market in Phoenix. (c. 1995) I was so impressed by the unusual colors
and Navajo Rug Pattern design. The inlay stones are scarce pink
angelskin coral, red Mediterranean coral and vibrant blue lapis lazuli.
The cutout design is laid over a grainy reticulated surface that makes
both the colors and design stand out more prominently. As he perfected
his craft, “Richard explored different techniques for inlaying, always
searching for the best way, the most beautiful setting, the perfect
harmony of material and craft.” The inside of the bracelet is hallmarked
“RB” “Sterling”. (The “RB” hallmark is also shared by his wife, Rita
Begay.) You could search for years to find this extraordinary set of
colors in an inlay bracelet. The beautiful things Richard looks for
exist in his creations.
Condition: Excellent.
Size: 1” high, 1/8” deep, 7 3/8” around including 1” opening. My wrist
over the bone is 6 1/2". It fits me perfectly. If your wrist is larger,
it will not fit properly. Bracelet is a small to small medium. |
$135.00 |

NA148 |
PETITE
CIRCLE OF FEATHERS ( Vintage Native American Hopi Indian Earrings ):
I am certain that this pair of petite Hopi clip earrings is
one-of-a-kind. I can say that because I had them made by combining two
pairs of earrings by the same designer. (c. 1980) This very fine and
delicate work was done by Hopi artist Homer Vance, now deceased. The top
motif is a Hopi “Tewa” or Sun God. There is a traditional face in the
middle surrounded by feathers. The free swinging feather dangle that I
had added gives the earrings a touch of drama. Both the feather and the
Tewa are hallmarked “HV” and, of course, the earrings are Sterling
Silver. Some ladies have asked for smaller earrings. These certainly fit
the bill! It is much easier for the artist to do larger pieces than the
texturing involved in such tiny places as the Tewa circle of feathers.
The perfect gift to give yourself!
Condition: Excellent.
Size: 2” long, 5/8” wide. |
$125.00 |

NA141 |
ZUNI WAR
GOD ( Vintage Native American Indian Jewelry Zuni Earrings & Pin /
Pendant ): This vintage set of Zuni Knife-Wing earrings and
pin/pendant are part of an estate purchase that favored older jewelry
pieces. This curious god, the Knife-Wing figure, is the hero of hundreds
of folklore tales and the titular deity of the Zuni. He is represented
as possessing a human form, furnished with knife feathered wings and
tail. His dress includes the conventional terraced cap, representative
of his dwelling place among the clouds. He was doubtless the original
“War God” of the Zunis. I believe that these three pieces were made c.
19970-1980. The pin/pendant is hallmarked “G. B. NATACHU” and was made
by Gillerimo Natachu who shared this hallmark with his wife Bernice
Natachu. The Sterling Silver Knife-Wing pieces are inlaid with coral,
turquoise, jet and mother-of-pearl. There is a bale for a find chain and
a safety clasp pin closure on the back of the pendant. The earrings are
a scarce pair of clip backs. Many ladies have asked for more clip backs
since most Native American earrings are usually made for pierced ears. I
am selling these pieces as a set – it takes forever to match pieces and
achieve a set as beautifully compatible as this one. Zuni inlay work is
highly prized for its complex and delicate craftsmanship. Go native with
confidence that you are wearing “the real thing”.
Condition: Excellent.
Size: Pendant/Pin: 1 5/8” high, 2” wide, 3/8” deep (chain is not
included).
Earrings: 7/8” high, 1” wide, 1/8” deep. |
$85.00 For The Set |

NA142 |
CORNROW
STRIPES ( Native American Indian Jewelry Navajo Bracelet ): A
captivating piece from my personal collection, this cuff bracelet (c.
1995) caught my eye because of the unusual mix of colors. Fashion
designers always love black, white and red and so do I. Navajo by
design, this Sterling Silver Bracelet is made of tapering, rounded inlay
pieces of Jet, Red Jasper and possibly White Buffalo. (White Buffalo is
not really Turquoise, but aluminite or howlite. The white inlay pieces
have lovely sparkling bands of silver running through them. The
impression this bracelet gives is something like corn row kernels, but
much more sophisticated. Set into a silver mount, both the center top
and the bottom of the band are edged with an extra band of silver with
two tiny orbs at each end. The inside of the band is stamped “STERLING”
and hallmarked “DD”. I believe the Navajo artists who made this elegant
bracelet are Donny and Dorothy Clark. This bracelet fits a small wrist.
A masterful cornucopia of exquisite color executed with Navajo skill and
artistry. Not a piece that you will see again!
Condition: Excellent.
Size: 7/8” wide at center, tapering to 3/8” at ends, 1/4" deep. 6 1/4"
inner opening including the gap. Fits a small wrist.
|
$175.00 |

NA138 |
MYSTICAL MOSAIC ( Native American Indian Jewelry Zuni Bear Pendant ):
Highly detailed, filled with symbolism and rich with colored stone
inlay, this Zuni Bear Pendant is a feast for your eyes. I purchased this
sumptuous piece when I was in Sedona, knowing that I have a lot of
buyers who love bears. Set in Sterling Silver, this lovely
example of mosaic inlay combines turquoise, orange spiny oyster shell,
lapis and two colors of mother-of-pearl (both white and yellow) – all
set into a jet bear. The work is fine and precise, accented with silver
dots and a silver ring for the bear’s eye. The back of this piece is
hallmarked “MY” and “Sterling”. The mosaic design is of Yei figures.
Please notice the large vibrant colored bail – a work of art it its own
right. This bail can be used with a thick chain, a wide silver neck
collar or you can slide it onto black or silver beads. The Sterling
Silver chain that the bear is photographed on (marked “925”) is
available for an additional price. This eye-dazzling bear pendant,
encrusted with silver and stone inlay, will quickly become one of your
favorite pendants. Just think of what a great gift this would make –
then keep it for yourself! It’s simply too exciting to share.
Condition: Excellent.
Size: With bale 2 1/4" high, 2 1/4" wide, 1/8” deep. Bale has 3/8”
opening. Sterling chain is 22” long with a lobster claw closure. |
$250.00 Pendant $25.00 Chain |

NA135 |
DESERT ABLOOM ( Vintage Native American Indian Jewelry Santo Domingo
Necklace ): I love the way that the colors of the desert – brown,
beige, black and orange – mix with the turquoise sky in this colorful
and appealing Vintage Santo Domingo necklace. (c. 1970’s) There are 10
strands of brown olive shell heishi, coral and jet beads (not seed
beads) accented with small turquoise nuggets that combine to hang
gracefully from Sterling Silver cones. You may wear this pretty piece
hanging in 10 strands or twist them together to produce a swirled
effect. They work wonderfully with other beads – nuggets for instance –
or if the bale is large enough, you can hang a pendant at the bottom. I
have also used a pin over the beads to add an accent at the right or
left side. Often I wore them doubled around my neck like a collar with
other necklaces hanging below. (Photos show both full length and
doubled.) There is a hook and eye catch at the back. You can’t find a
more versatile necklace abloom with the colors of the Southwest than
this one. This Santo Domingo Pueblo necklace is a delight to wear
anytime, anyplace. You will find yourself reaching into your jewelry box
time after time for this captivating necklace.
Condition: Excellent.
Size: 10 strands 30” long. When wearing 1/2” to 3/4" wide. |
$150.00 |

NA104 |
SPECTACULAR SCRIMSHAW ( Native American Indian Jewelry Scrimshaw
Pendant ): Extravagant in size and remarkable in quality – are
phrases that only begin to describe this rare and spectacular scrimshaw
pendant. (An estate purchase. Crafted c. 1960.) It appears to be the
work of 2 different artists. The Sterling Silver mount is signed by
Navajo silversmith “R. Bennett” and the colorful scrimshaw design work
has the initials “JMT” engraved near the bottom. The subject of the
scene is definitely Hopi, so it is probably a Hopi/Navajo collaboration.
Scrimshaw work is engraved on a surface and then usually highlighted
with black, but in this case colorful, pigment. The precision and
delicacy of the work produce a striking visual effect – clearly the work
of a master craftsman. (You can see the fine etched marks in the
close-up photos and that of the initials.) The colorful scene is rich in
symbolism. The Tewa sun face at the top surveys the Hopi dancer, as a
trio of mudheads appears at the left. I am uncertain about the material
that is used as the base of this miniature work of art. It is not ivory.
It could be bone or possibly “Vegetable Ivory” – a nut palm which
polishes to an incredible likeness of ivory and whose hardness and
durability rival that of ivory. There is a pendant hook on the back
side. This is a rare, one-of-a-kind, piece of Native American jewelry.
It will linger in your memory.
Condition: Excellent.
Size: 3 1/8” long, 2” wide, 3/8” deep. |
$500.00 |

NA126 |
GEOMETRIC INLAY ( Vintage Native American Indian Jewelry Navajo Coral
Ring ): I have had several requests for more coral Native American
pieces. Please understand that Mediterranean red coral is one of the
most expensive stones that Navajo jewelers work with. (The photo with
the white background shows the coral's truest deep red color.) This
striking and multi-tiered ring is an excellent example of one of the
more contemporary designer’s work. (c. 1988) Very labor intensive, the
top coral stone is hand inlayed with a Sterling Silver stripe accented
by lines of jet. It is mounted in a square cut bezel setting. The bottom
tier – around the edges – is hand inlayed with a matching red coral, jet
and opal. The Sterling Silver ring band is wide at the shank and tapers
to a thinner comfortable back. The current ring size is a 7. Because of
the wide shank it will fit a 6 ½ just fine. The shank can be made larger
by a good jeweler. The ring is hallmarked, but the maker is unknown to
me. This ring is a marvel of skill and artistry - the detail is a
pleasure to sturdy. Coral is flattering to all skin tones and the
proportions are elegant. An inspired gift giving idea!
Condition: Excellent.
Size: 1 1/8” high, 7/8” wide, tapering to 3/4” wide, 3/8”
deep. Ring band is 3/8” at shank tapering to 1/4” at the center back. |
$200.00 |
| |
(( Previous | 1
| 2
| 3 | Next ))
|
|