| Item: |
Description: |
Price: |

VJ175 |
ANOTHER ANGEL GETS HER WINGS ( Victorian Jewelry Ivory Portrait
Miniature ):
Originally purchased in London, this is one of the most haunting and
poignant portrait miniatures I have come upon. She is simply an angel.
(c. 1900) Hand painted on Ivory, her face is magnificent. Her blue eyes
seem to gaze in the distance and her lips are sweetly closed. Fine
blonde curls cascade down to her slight shoulders, giving the effect of
being surrounded by light. Dainty hands are posed holding white robes
draped around her and upon her beautifully painted hands she wears a
tiny gold ring on her right middle finger. The symbols of the blue sky
background, the wearing of the robes which flow about her like billowing
clouds and the arrangement of her hands suggest that she is deceased.
Gone but Not Forgotten. An irresistible image that will touch your
heart. The portrait is set in an 18KT rose gold frame held with four
pins and the back is covered in green velvet. There is a lovely wide
bale for a chain. I can not find a signature, but this is clearly the
work of a skilled artist. Amazingly, the original antique traveling case
with a beige velvet bed and beige silk interior lining survives. The
case is made of wood covered by dark brown leather. The leather on the
front is cracked and the silk frayed – as shown in the photos. I can
only imagine the grieving mother or father who constantly kept this
reminder at hand, even when traveling. Not lost but gone before-she is
simply an angel.
Condition: Portrait and setting are excellent. The case shows the wear
of time.
Size: Portrait is 2 5/8” high, 2” wide, 1/4” deep. |
$1500.00 |

VJ173 |
ROYAL GREYHOUND ( Victorian Jewelry Greyhound Fob / Pendant ):
Victorians loved their dogs – lap dogs or working dogs, sight hounds or
scent hounds. Greyhounds are also known as sight hounds because they
hunt by speed and sight. Royalty bet vast sums on the outcome of a day
race and kept Italian greyhounds in their households. Exquisitely
sculpted in Sterling Silver with a vermeil (gold wash) collar and base,
a greyhound, whippet or Italian greyhound has been masterfully modeled
in a sitting position. Realistically rendered, musculature and anatomy
are without question that of a sight hound. He is captured turning his
head as if he has just heard his name called. He has one paw lifted and
his tail is charmingly wrapped around his leg. There is a ring on his
engraved collar, large enough to pass a chain through. The deep reddish
brown oval carnelian fob base is engraved with the name “Eugine Amphoux”.
(c. 1880) The striking combination of colors – silver, gold and
carnelian – is elegant and regal. Outstanding in its entirety, this
antique fob/pendant is a masterpiece of the jeweler’s art. Medium to
large in scale, this Victorian greyhound fob/pendant is eye catching and
full of wonderful character. Won’t you please adopt this appealing
greyhound and give him a “forever” home?
Condition: Excellent. No chips.
Size: 1 ½” high, oval carnelian base is 1 ½” long, 1” wide. |
$800.00 |

IV055 |
REGAL AFRICAN QUEEN ( Vintage Bone Black African Jewelry Pin / Brooch):
I am pleased to offer this dramatic hand carved bone brooch of a
handsome African Woman. (c. 1920) It has been in my personal collection
of ethnic jewelry for years. The lavish and intricate carving make this
bone brooch almost as valuable one carved from ivory. Notice the fine
work on her hair style and the magnificent jewelry she wears, including
her grand earrings. This brooch was sold to me as a French piece but it
could well be African due to the amount of detail in costume and hair
style. You can clearly see the distinctive bone markings on the back of
this portrait of a Black Woman. There is a riveted C clasp closure
original to the piece. Outstanding in its entirety, this timeless beauty
is extravagant in its size and workmanship. A “killer” brooch – wearing
it will make you feel like a Queen!
Condition: Excellent. No chips.
Size: 2 ¾” high, 1 ¾” wide ¼” deep. |
$300.00 |

VJ174 |
CRYSTAL “POOLS OF LIGHT” ( Vintage Jewelry “Pools of Light” Crystal
Necklace ):
A real treasure, this quartz crystal and silver necklace (c. 1920) holds
a large circular orb known as a “pool of light”. It is believed that the
source of these beads is the northern slope of Mount Fujiyama in Japan.
They are a product of the mount when it erupts in springtime. The
crystals then find their way into the stream beds where, over the years,
they are polished as they journey over pebbles into the foothill river
beds. Finally they were polished to perfection in the lapidary shops of
Kofu. Traditionally they have been treasured – especially by the Chinese
who believe that good luck resides in the inner recesses of these orbs.
“Pools” were never drilled because it was believed that drilling allowed
the good luck to pour out of the crystal. The supply of these wonderful
crystals seemed to exhaust itself in the 1930’s.
This silver link necklace from the 1920’s is just a delight. There are
13 faceted crystal beads on a finely worked chain tapering down to the
crystal orb. The necklace slips over your head. The “pool of light”
itself is encircled by an ornate floral surround made of brass. It is
difficult to photograph these orbs – they have a grayish appearance in
photos. Against the skin or other hues they take on a rainbow of guises.
Alive with the vibrancy of another era, the timeless beauty of this
antique necklace dances with light. I can see this necklace at one of
Gatsby’s moonlight parties glittering and swinging in the air as the
band strikes up another dance tune. You will love it!!
Condition: Excellent. No inclusions, no chips.
Size: Chain is 31” long, “pool of light” is 1” in diameter. |
SOLD! |

IV053 |
FLORA BRINGS SPRING ( Victorian Jewelry Ivory Cameo Pendant ):
This breathtaking Victorian hand carved Ivory Cameo of Flora is the
perfect way to welcome spring or any other season. (c. 1840-70) The
Roman goddess Flora, “mistress of the flowers” symbolizes new life,
spring, regeneration and hope. In this large Antique Ivory Cameo
portrait the lovely young nymph is adorned with a splendid floral hair
piece of roses, forget-me-nots and lilies of the valley. They swirl and
travel down to her shoulders. Notice the double strand of perfect ivory
beads. From about 1840 to 1870 high-relief work ivory cameos were very
fashionable and often brought home from France as gifts from prosperous
travelers. Both the grain and patina of the ivory are so lovely and
clearly seen in the beautiful photos. Large thick carvings like this
were purchased unset and later set in a box top. The holes on the back
were drilled so that the Cameo could be pegged into a setting or worn as
a brooch. This divine Victorian marvel of carving is facing to the left
– most Cameos face right. It requires a master carver to work to the
left since it is harder to execute. The setting for this Flora pendant
is a sterling silver three claw bezel mount with an oval bale to hold a
silver chain. Quality Ivory pieces have become scarce and will only
become more rare as collectors covet these Ivory Cameos. Look at the
beauty of her facial features and the depth of the carving. This is a
Cameo to treasure for a lifetime.
Condition: Excellent. There are no chips to the flowers. The setting is
from a later period.
The chain is not included.
Size: 2 1/8” high, 1 1/2” wide, 7/8” deep. |
SOLD! |

VJ170 |
VICTORIAN RAGE FOR THE RAJ ( Victorian Jewelry Tiger Claw Pendant ):
One of seemingly odd Victorian traits was their unending appetite for
exotic jewelry from exotic places. In 1876 Queen Victoria was proclaimed
the Empress of India, so it is not surprising that Mogul jewelry and
elaborately set tiger claws made their appearance. The “Great White
Hunters” made their mark on fashion – jewelry was frequently sent home
as a memento of their hunting expertise. At that time there was no
concern that the seemingly endless supply of birds and animals would
ever become endangered. This double claw pendant is clad in a 9 KT gold
setting that follows the contours of the claws and ends in golden orbs
at the tips. (c. 1880-1900) The original gold bale is in place. The bale
will fit on a thin to medium chain. (The chain in the photo is for
display only. It is not for sale.) Collectors have made these Indian
mounted claws all the rage in fashion once again. This sleek and
eye-catching pendant is an unforgettable example of the Victorian quest
for the exotic.
Condition: Excellent. Due to the organic nature of the claw, there are
natural variations in color.
Size: 1 3/8” high from bale to claw tips, 1 1/4” wide, just over 1/8”
deep. |
$400.00 |

VJ168 |
SHIMMERING BUTTERFLY TAKES FLIGHT ( Victorian Cut Steel Jewelry
Butterfly Brooch / Pin ): This glittering Victorian Cut Steel
Butterfly Brooch will make your heart beat faster. (c.1860-80) Cut steel
has a long history of its very own admirers – revered in the 17th
Century and again quite popular in the Victorian period. Used as an
alternative for the look of early cut diamonds, cut steel jewelry is a
highly refined process. Each small steel bead or stud is hand cut,
faceted, polished and painstakingly riveted onto a metal (typically
brass) back piece. Think of the work involved! The Victorian era with
its “cult of nature” birds and butterflies took flight as a popular
motif in Victorian jewelry. The butterfly symbolizes the soul in
resurrection – nothing was ever simple to the Victorians! This
enchanting butterfly brooch glimmers and sparkles, creating an almost
3-dimensional effect with its wings in two layers. The back retains its
original C clasp and pin stem. Notice all of the rivet work on the back.
English or French in origin. Resist the temptation to shade your eyes as
the light dances from one facet to the other. (Our photos cannot nearly
capture the true effect.) In the last few years Antique Cut Steel
Jewelry has gained increasing popularity. Amongst collectors the demand
for these pieces is high. Condition: Very good to Excellent. Very small
amount of expected patina, no beads missing. Size: 2” wide, 1 ½” high,
¼” deep with wing lift. |
$425.00 |

IV051 |
CLASPED HANDS OF FRIENDSHIP ( Victorian Ivory Jewelry Hand Pendant ):
The hand is a recurring romantic symbol in Victorian jewelry. I think
that the most beautiful of hands were carved from Antique Ivory. This
pendant is actually a seal to be used on letters, but I had a ring added
so that you can wear it as a pendant. (c. 1840-60) The message of the
hand had a variety of meanings depending on how it was depicted. Clasped
hand such as these superbly rendered Victorian Hands symbolized
friendship. The elegance of these two hands with carved ruffles at each
wrist implies a close bond between these two women, sisters or friends
for life. Examine the delicate fingers with tiny fingernails – notice
that one of the hands has a tiny carved ring on the first finger. The
orb at the bottom is exquisitely rendered with a large floral motif on
the bottom. You can clearly see the fine graining of the Ivory on the
hands. The Sterling Silver work has detail that it is a pleasure to
study. (Including some almost invisible British hallmarks.) The flat
silver seal portion has never been engraved. With the addition of the
bale loop this small masterpiece of the master carver’s art becomes a
wearable treasure for another generation to enjoy. And remember to pass
it on! Condition: Excellent. Very clean with no chips. Size: Including
bale 3 5/8” long. Carved Ivory portion 2 5/8”. Bale ring has 1/4”
opening. Ivory orb at bottom is 3/4” in diameter. |
$675.00 |
VJ131
|
SHIMMERING BLUE BELLE ÉPOQUE ( Edwardian Jewelry
Guilloché Locket ): This superb Edwardian shimmering blue guilloché
locket is simply the largest and most stunning piece of its kind that I
have seen. (c. 1890-1920) Only a confident lady of the Belle Époque era
would have worn this large Sterling Silver Stunner. The technique of
guilloché enamel features an engraved decoration of geometric design
achieved by engine turning. When used as a base for translucent enamel
it creates a shimmering effect. The intense deep blue of this locket
provides an opulent background for the “garland style” – hand painted
pink and pale yellow roses that circle the border of this oval antique
locket. Swags of leaves have been painted above the central bouquet of
mixed roses. There are tiny gold dot accents on the locket front. The
back of the locket is also deep blue enamel over a wave pattern
emanating from the center. The good sized pendant ring is marked “935 M”
and the pendant itself is jeweler tested as Sterling. The locket
interior contains its original inserts and celluloid covers, which have
yellowed with time. The hinged closure is firm and tight. These
guilloché lockets have become a favorite with collectors. The more
complex the design and the more colors used, the more highly the piece
is valued. This rich and sumptuous locket will linger in your mind. It
is an unforgettable example of Belle Époque extravagance. Condition:
Excellent. A few surface scratches visible only under magnification.
Size: 2 1/4” high, 1 3/4” wide. |
$775.00
|

CA093 |
BIRD’S EYE VIEW ( Victorian Jewelry Bird Shell Cameo Brooch/Pin ):
I fell in love with this irresistible Antique Bird Shell Cameo Brooch.
(c. 1900) I have not seen any thing like it before. Great detail and
master carving are the hallmarks of this unusual and charming portrait
of nature. The bird seems to be studying the little bug at its feet. The
feathered wings are spread and the total focus of the head and beak are
poised to grab the tasty insect treat. The rest of the shell is hand
carved with a multitude of various flowers and leaves. Parts of the
shell have been totally carved away, leaving openings, to set off the
bird. His wings and feathers are intricately carved – notice his eyes
and tiny feet. Even the insect is clearly visible, looking much like a
housefly. The colored portions of the shell perfectly highlight the
portrait. An unusual gold-filled basket weave frame sets off the entire
bezel set cameo. There is a C clasp closure. The cameo sits very high
off of its base, as you can see in the side view. If you are a bird
collector or love unusual cameos, this is a great addition to your
collection. Condition: Excellent. Size: 2” high 1 5/8” wide, 3/8” deep.
Shell carving is 1 9/16” high, 1 3/8” wide. |
$450.00 |

VJ171 |
BRITISH RAJ LEGACY ( Victorian Jewelry Tiger Claw Brooch / Pin ):
In 1876 Queen Victoria was proclaimed Empress of India. British
colonization of India began with the transfer of control from the East
India Company to that of the British government. That period of rule,
from 1858 until 1947, has come to be known as the British Raj and it has
gifted us with an exotic legacy – the style of jewelry know as Raj. The
“Great White Hunters” made their mark on fashion jewelry which was
frequently sent home as mementos of their hunting expertise. In this
feminine and appealing double Antique Tiger Claw brooch the regal claws
are clad in 9KT rose gold jackets. Each claw has rose gold orbs at the
tip. The reverse reveals the original riveted hinge and pin stem with an
early safety clasp replacement. The brooch is British or Raj Indian in
origin. (c. 1900-1910) Included is a lovely dark blue leather box with
gold embossed motif and a spring catch. It is in excellent condition and
appears to be original to the brooch. The satin interior of the box
reads “Penlington & Batty, Diamond Merchants, Liverpool & Manchester.”
Above that is their crown & anchor hallmark with a banner stating
“WATCHMAKERS TO THE ADMIRALTY”.
Condition: Excellent.
Size: 2” wide, 7/8” high. Each claw is 1 1/2” long, 1/8” deep. |
$325.00 |

VJ165 |
FIERY STARBURST GARNETS ( Victorian Jewelry Garnet Pendant / Brooch /
Pin ) The history and mystery of garnets is, I believe, part of
their charm. Garnet is the birth stone for January, but desired by all
collectors of Victorian Jewelry. The stone received its name from the
Latin word for pomegranate because it reminded early scientists of
pomegranate seeds. This wonderful Victorian Bohemian garnet brooch with
drop delights the eye with its large and small starburst designs. (c.
1890) The large top section is four layers deep, which adds to the flash
and sparkle. The stones are cut in both faceted tear drops and tiny
faceted rounds. The deep wine pyrope garnets are set in low karat rose
gold known as “garnet gold”. The brooch has a gold filled bale and jump
ring added at some later time so that it could be worn as a pendant.
(Easily removed by a jeweler if desired.) It appears that the shimmering
drop was added to the brooch – a terrific embellishment! There is a C
clasp pin closure. During the Victorian era, Western cultures believed
that garnets would enrich the blood and provide the wearer with a long &
healthy life. Highly coveted by collectors, this is a dazzling,
sparkling example of antique garnet jewelry at its best. Condition:
Excellent. No stones missing. Size: The entire brooch measures 2 ½”
long, 1 ½” wide & ½” deep. |
SOLD! |

VJ159 |
DELICATE PEACOCK EYE RING ( Arts & Crafts Jewelry Peacock Eye
Sterling Silver Ring ): This seductive “Peacock Eye” Ring is the
embodiment of the Arts & Crafts Movement. (c. 1890-1920) The peacock eye
motif was associated with the Aesthetic Movement that included the
Pre-Raphaelites of the art world. You can see peacock feathers in many
of their exquisite medieval style paintings. The practitioners of the
Arts & Crafts Movement were revivalists of a sort, but they
re-interpreted the past. They rebelled against the excesses of Victorian
ornamentation. In jewelry the intrinsic values of the materials was of
secondary importance to design and workmanship. Most Arts & Crafts
artisans preferred silver to gold and cabochon cut gemstones to faceted
ones. This dazzling blue and green “peacock eye” is hand crafted foiled
glass. There is currently a growing interest in the Arts & Crafts style
and principals. These “peacock eye” pieces are in high demand and
difficult to find. I love their unique iridescent shine and intense
colors. This is the first Sterling Silver mounted peacock eye ring I
have had. (Marked “Sterling”) The oval domed “eye” is bezel set high
above the mount. The top and bottom of the setting are decorated with
delicate forget-me-not flowers. The triple split shank band features
tiny markings almost like squares, perhaps miniature snake scales. The
ring band is narrow (1/16" wide), but could be sized. This Antique
Peacock Eye Ring is a ring size 6 1/4. Delicate, almost lace like in
appearance, this ring is a rare treasure. A special ring for a lady
looking for an authentic Arts & Crafts Period jewel.
Condition: Excellent. No chips.
Size: 1” high, 1/2” wide, 1/4” deep. The center “eye” measures 3/4”
high, 3/8” wide. This is a ring size 6 1/4. |
$375.00 |

VJ144 |
ARTS & CRAFTS PEACOCK EYE NECKLACE ( Arts & Crafts
Jewelry Peacock Eye Necklace ): This rare peacock eye bead necklace
is a treasure from a recent buying trip. It is the embodiment of the
Arts & Crafts Movement. (c. 1890-1920) The practitioners of the Arts &
Crafts Movement were revivalists of a sort, but they re-interpreted the
past. They rebelled against the excesses of Victorian ornamentation. In
jewelry the intrinsic value of the materials was of secondary importance
to design and workmanship. Most Arts & Crafts artisans preferred silver
to gold and cabochon cut gem stones to faceted ones. These dazzling blue
and green Peacock Eye irregular shaped beads are hand crafted foiled
glass. Seven shimmering beads are strung together on a bronze colored
foxtail chain. There are hand-tied knots on each side of the Peacock Eye
beads and the necklace closure is a spring ring clasp. The bronze
colored chain is an unusual, but perfect compliment, to the blue and
green eyes. There is currently a huge revival of interest in the Arts &
Crafts style. These “Peacock Eye” pieces are scarce and in high demand.
I love their unique iridescent shine and intense colors. Wear them with
denim or silk – for work or play. Condition: Excellent. The spring ring
clasp may be a replacement. Size: Total length of necklace is 31 1/2”.
It is long enough to wrap twice around your neck, but the full splendor
of the beads is best displayed when worn long. Each Peacock Bead is
approximately 5/8”. |
$500.00 |
VJ128
|
GRAY MISTS OF
SCOTLAND
( Victorian Scottish Jewelry Brooch ): Songs and stories
immortalize the fierce and turbulent past that still haunts the Scottish
soul. This magnificent Victorian Scottish Pennanular Brooch represents
the best of the fashion for “all things Scottish”. (c. 1850-1870)
Pennanular Brooches (broken ring) like this one were used to secure the
clan’s Tartan plaid to the left shoulder of the Scottish Highlander.
The large pin portion is used to pierce through the fabric and emerge
near the bottom to hold a large portion of gathered fabric in place. The
pin can swivel to a variety of positions. The English adopted them to
secure the brilliant Indian shawls fashionable at the time. Inlayed with
Montrose Agate (striated gray), this brooch is bezel set with 3 large
faceted stones - possibly Cairngorm quartz, but they could also be
citrines. The faceted stone on the top is a citrine. The rounded
Sterling Silver setting has delicate chased designs on both the front
and the back. The silver is unmarked, perfectly normal for the time
period. Meticulously crafted, this Antique Brooch is filled with
history. As wearable today as it was over a century ago. Condition:
Excellent. A tiny piece of silver banding is missing at 4 o’clock. Not
visible to the naked eye. Size: 3” high, 2 1/8” wide, 3/4” deep
settings for bezel set faceted citrines.
|
SOLD! |
| |
(( Previous | 1
| 2 | 3 | 4
| Next
))
|
|